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FIGURE
CLEAN-UP AND PREPARATION FOR PAINTING by John Perry
To begin with,
you will need to have at your disposal the following items. The paints will
last a long time as long as you remember to keep the tops closed when not in
use. As for the brushes, purchase the best you can afford at the outset. If
looked after properly they will last you a lifetime.
| Paint Brushes |
Sable brushes in
sizes 0, 00 and 000 (Winsor & Newton Series 7 are the best – expensive
but worth it. Vallejo also makes a good, more affordable series.)
Flat 1/4" brush for blending and large areas (reasonable quality)
Tin for thinner or water
Palette or wax paper
Clean rag |
| Basic Paints for Faces in Enamels or Acrylics |
Vallejo
Acrylic Model Colors:
Flat Flesh 955
Dark Red 946
Burnt Umber 941
Flat Black 950
Ivory 918
Mahogany Brown 846
Humbrol
Enamels:
Matte Flesh 61
Matte Leather 62
Matte Scarlet 60
Matte Brown Bess 170
Matte Black 33
Matte White 34 |
With the basic
supplies gathered we're ready to start cleaning and preparing the figure for
painting.
Clean the parts
thoroughly with a mild soap and water. The casting process leaves residue that
can make glues and paints not adhere properly. Use a sponge or a soft brush.
Be careful not to break off any detail parts.
Remove any flash
(thin pieces of unwanted resin). Use your files and sandpaper to carefully remove
the excess. Next, remove any join seams in the resin. These may appear as very
thin raised lines onthe resin which may be removed by carefully and lightly
scraping your #11 blade along the seam. Finally , level your figure by placing
a sheet of coarse sandpaper flat on your workbench, grit side up. Then place
the figure against the sandpaper and move the part back and forth in a figure-eight
motion to sand the base of the figure evenly. Change to medium-grit sandpaper
when necessary. This technique is useful after you may have removed a section
of the torso or waistline with a razor saw.
Note: Cutting
or sanding resin will produce a fine dust that can irritate your eyes and nose,
so wear a dust mask when cutting and sanding.
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Used
areosol can top used as temporary base. This keeps fingers off the figure
as you work andprovides a better grip on the model as well. Note the use
of velcro to secure the figure. |
Pilot figure prepped
and ready for painting. |
Once you have
cleaned up the figure, you can begin painting. The best way to handle your figure
from this point on is to mount it on a temporary working base, which is nothing
more than a scrap block of wood or the lid off an old aerosol can. Plasticine
may be used to hold the two together temporarily.
Before painting
you must give it a coat of primer. We recommend two types of primers. One is
a brush-on coating which lends itself well to smaller figures, and the other
is a spray best used on larger figures. Apply just enough to seal the resin
and provide the bite for the paint. If spraying, ensure to lightly coat the
model from a variety of angles to ensure complete coverage. Choice of colour
is personal. Black primer accentuates shaddows but can dull colours, white enhances
colour but can be difficult to work with, grey is a happy medium. Allow the
primer to dry for at least 24 hours before starting to paint.
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